Nr. 28, April 2015
Mark McFarland
Boulez and the Necessity of the Dodecaphonic Language
Joseph Salem
How Necessity Fueled Invention in Boulez’s L’Orestie
Aï Higashikawa
Quelques notes sur le montage électronique de Poésie pour pouvoir (1958) de Pierre Boulez
Simon Obert
«... die Konsequenzen ziehe ich ...»
Ein neu aufgefundener Brief von Schönberg an Webern
Tatiana Baranova Monighetti
Russian Music in Stravinsky’s Library
Liam Cagney
On Vagues, Chemins, le Souffle (1970–72) and the Early Use of Resonance Chords in Grisey’s Oeuvre
Giacomo Albert
Weakening Structures or Structuring Mistakes?
Brian Ferneyhough’s Manipulation of the Fibonacci Sequence in his Second String Quartet