Nr. 22, April 2009
Mauro Piccinini
From Stravinsky to Paul Whiteman
The Historical Context of Antheil's A Jazz Symphony
Jean-François Trubert
Un exepmle de structuration rythmique dans Anagrama (1957–58) de Mauricio Kagel
Jennifer Iverson
Shared Compositional Techniques between György Ligeti's Pièce électronique N° 3 and Atmosphères
Tiffany Kuo
An Americanization of Berio
Tracing American Influences in Luciano Berio's Traces
Dorothea Ruthemeier
Plastisch-direktes Erfinden von Klangobjekten
Zu Wolfgang Rihms Skizzenbüchern der 1980er Jahre